The Revolution That Remembered Why
How coherence returns after collapse.
We live in a kind of moral vertigo. Information multiplies; meaning fragments. The same circuits that promised connection now hum with static.
It isn’t an information economy anymore. It’s an attention economy. And truth, unfortunately, is terrible at holding attention. Lies entertain. Outrage sells. Truth sits there, asking for work. It’s uncomfortable. It demands participation.
We scroll past collapse like it’s programming. Institutions crack, bridges rust, trust erodes—and the feed keeps refreshing. The same crises loop under new headlines, history rewritten as content. But every so often, something cuts through. A moment, a song, a sentence that makes us feel the pattern repeating—a reminder that what we’re living through isn’t new, only faster.
Throughout history, revolutions have traced the same arc: ignition, collapse, reanimation. Outrage ignites; exhaustion follows; then something in the system remembers why it began to move at all. Ours is no different. The only novelty is the livestream.
We can study revolutions in history books, but we can also feel them in sound. Music carries the emotional signature of an era faster than its politics ever can.
Some songs hum quietly in the background of your life. Others detonate. Beds Are Burning was ignition—the conscience waking to what’s wrong. Sunday Bloody Sundaywas collapse—the exhaustion that follows outrage when clarity outruns structure.
And then comes AC/DC’s Thunderstruck.
At heart it’s a song about the rock-and-roll life—high voltage and spectacle, the charge of being loud, alive, and a little out of control. The guitars don’t preach; they swagger. It’s pure adrenaline: excess as identity, chaos as freedom.
In this playlist it becomes something else—the moment after collapse, when awareness reconnects with the body and remembers its own power. Beneath the noise is a blueprint: the body as amplifier, the mind as circuit, the crowd as field. What rock once expressed as rebellion now reads as feedback—the system rediscovering its rhythm.
Coherence is what happens when the parts begin working together again—brain, body, intention, will—aligning into one current. It feels like energy, but it’s really order returning. Awakening isn’t a mood. It’s a mechanism.
Caught in the Middle of the Track
“Thunder! Thunder! I was caught in the middle of a railroad track…”
What could be worse than standing on a rail with a train bearing down? That’s where we are—caught between paradigms, riding the inertia of a civilization that no longer controls its own momentum. The tracks were laid by earlier revolutions: industrial, digital, cultural. Each promised freedom. Each created new dependencies.
We’ve been here before. The French wanted liberty and built an empire. The Industrial Age sought progress and delivered burnout. The Information Age promised enlightenment and gave us distraction. The pattern isn’t new; we’re just feeling it in higher resolution.
So hear the thunder for what it is—not punishment, but feedback. The sound of coherence trying to propagate again.
No Turning Back
“I looked ’round and I knew there was no turning back.”
Every moral era reaches a moment when its stories can’t contain its conscience. We repeat them, hoping belief will make them true again. But once you hear the thunder, you can’t un-hear it.
We’re past the point of no return. The myths that carried the twentieth century—growth, efficiency, endless innovation—no longer explain the ache in the collective psyche. The symptoms are familiar: inequality, disillusionment, and rising class consciousness disguised as culture war. What’s new is that we can see it happening in real time. The veil of complexity has dropped; the knowing is public.
The sense of vertigo isn’t just technological—it’s existential. Nietzsche saw this fracture coming. He warned that after the death of old gods we’d face a choice between the Last Man and the Übermensch. The Last Man is sedated—comfortable, entertained, endlessly scrolling. The Übermensch is lucid—aware that freedom without structure collapses into noise. Between sedation and control lies a third path: coherence. One path preserves comfort; the other remembers power. After recognition, nostalgia is impossible. The only way out is forward.
No Help from You
“My mind raced and I thought, what could I do?
And I knew there was no help, no help from you.”
Every revolution reaches this point—the realization that the system can’t save itself.
For centuries we looked upward—to gods, systems, ideologies, and now the supposed benevolence of code. But the cavalry isn’t coming. The lightning’s already in our hands.
Control has its place. It protects what’s fragile and teaches what’s new. Childhood needs guardrails; adolescence tests them. But maturity means more than obedience. Once a culture can stand, control must give way to coherence. What once stabilized becomes constraint.
We keep asking for better management instead of maturity, for comfort instead of consciousness. Dependence feels safe—but every time we hand off responsibility, we trade freedom for supervision. We mistake stability for strength.
Control is necessary until it isn’t. It nurtures the early stages of order but strangles the next. Civilization now stands at that threshold—the point where we must learn to govern not through restraint, but through rhythm and cooperation.
The world doesn’t need gentler shepherds. It needs adults.
Leadership still matters, but its purpose changes. Plato’s philosopher-kings were never meant to rule forever. Their role was to guide a civilization toward self-governance—to cultivate minds clear enough to think freely, together. The highest form of leadership eventually makes itself obsolete.
We don’t need new kings. We need coherent minds—individuals capable of governing from the inside out. Because coherence is self-governance: thought, feeling, and will aligned into one directed pattern. That kind of order can’t be imposed from above. It has to rise from within.
The Sound of the Drums
“Sound of the drums, beating in my heart…”
Something happens when rhythm takes hold. The body syncs with what it hears. Beat becomes heartbeat; heartbeat becomes pulse; a room of strangers begins to breathe as one.
You’ve felt it—at concerts, raves, protests, and candlelit vigils. The moment when boundaries blur and individuality dissolves into sound. But that state, for all its power, is usually unconscious. It’s the hive mind as mob: emotion without awareness, unity without direction. It feels alive because it suspends the self—but it can’t yet choose what it serves.
Now imagine that same rhythm made conscious. Every mind awake, every will intact. Freedom moving inside unity rather than erased by it. That is the physics—and the philosophy—of the General Will. Rousseau named it centuries ago: individuals thinking together as one mind. Not through conformity, but through resonance. When enough people are clear and coherent, a higher intelligence emerges. Not consensus, but coordination. Not obedience, but alignment.
Civilization needs that rhythm again—not as spectacle, but as structure. And coherence isn’t a mood; it’s a civic technology. The more of us who learn to think clearly, the more stable the field becomes.
When coherence spreads—when clear minds reinforce one another—that rhythm becomes culture. The individual pulse becomes collective intelligence: freedom within unity, order without oppression. A species remembering how to think in sync.
The Architecture of Awakening
Before any new structure is built, there’s always a pause—the moment a system realizes it can’t rebuild itself with the tools that broke it.
I’m realizing The Dream of Matter no longer describes just a book. The project has become a blueprint for coherence itself. In fact, I may need a new title for the book.
If coherence is self-governance, then learning how to create it—within and between us—is the next revolution. That’s what the book is really about: the architecture of awakening—a language precise enough to describe the design of mind, a rigor already worked out in full mathematical form, far beyond what a single essay can hold.
For centuries we treated the soul as metaphor and the brain as machine. But what if they are mirrors of the same pattern? What if every thought, feeling, and act of will leaves a measurable trace in the nervous system—a visible map of inner order trying to take shape?
That’s the work now: bring reason and reverence into the same frame. Make the invisible visible. Measure, not to reduce, but to reveal.
When I map a brain, I’m not hunting disorder; I’m listening for dialogue—regions talking over one another while others fall silent. A mind trying to coordinate itself. It feels less like pathology than polyphony: an orchestra tuning up, each section searching for the same key. What we call symptoms are just instruments trying to remember the song.
Coherence isn’t abstraction; it’s physics. It’s what happens when the parts of a system move together again—distinct yet harmonized. In one person we call it healing. Across a people we call it civilization. Networked across minds, history starts to bend toward order. The same structure that steadies one mind can stabilize a society.
Technology makes this visible. For the first time, we can watch thought organize—see attention align, confusion resolve, noise turn to signal. But technology doesn’t create coherence; it reflects it. The instrument can be tuned; the musician still must play.
If Beds Are Burning was the conscience igniting and Sunday Bloody Sunday the conscience collapsing, then this phase—the revolution that remembers—is what comes next: rebuilding conscience as design. This essay is one piece of a larger design—a map for how reason can rebuild the world from the inside out. The next revolution begins with the structure of mind itself.
The Thunder of Guns
“The thunder of guns tore me apart…”
Every revolution begins with thunder, but not all thunder builds. Electricity is neutral—it can light a city or burn it down. Energy without direction becomes chaos. Conscience without clarity becomes control. That is the paradox of power: the same voltage that liberates can also destroy.
Lightning is potential becoming action. Thunder is the echo—the feedback between heaven and earth, mind and matter—reminding the system what it is. Without structure, the same charge becomes artillery. Awakening curdles into anger. Power without understanding is just fire without form. In an age of AI arms races and culture wars, that warning isn’t metaphor—it’s maintenance.
Thunderstruck
“You’ve been… Thunderstruck!”
This is the reveal: the storm was never outside. You are the circuit. The body is the conductor. When the moral field hits resonance, thought becomes kinetic. The mind doesn’t just know. It moves.
Myths have told the story for millennia—Zeus hurling lightning, Prometheus returning fire, Pentecost descending as tongues of flame. All describe the same event: intelligence entering matter not to dominate it, but to animate it.
That is our meaning of being thunderstruck: coherence remembering itself—the pulse of heaven rediscovering its body on earth.
Voltage Becomes Vision
The playlist so far:
Beds Are Burning — Midnight Oil
Sunday Bloody Sunday — U2
Thunderstruck — AC/DC
The playlist forms a pattern: ignition, collapse, reanimation. The first was moral clarity; the second, moral fatigue; this is power remembered as responsibility. What we do with that voltage will define the next era. Awakening without architecture is just another flash in the dark.
The challenge now is to conduct—to build systems, cultures, and selves capable of carrying the charge.
The Revolution That Remembered Whyis already beginning. We can feel the static shift—the quiet memory of what the signal has been trying to say all along.
If you’ve read this far, you’re already part of that signal—proof that attention can still find its way back to truth.
The next track won’t just wake us up. It will organize us. Somewhere ahead, the pulse is shifting from lightning to movement—and we’ll need every clear mind to keep the rhythm.
Lyric excerpts from “Thunderstruck” written by Angus Young and Malcolm Young of AC/DC (1990). Used here for purposes of commentary and analysis.



